Z For Zachariah Wo kann man diesen Film schauen?
Ann glaubt, die einzige Überlebende der atomaren Apokalypse zu sein. Als sie eines Tages einen Fremden in ihrem Tal sieht, ist sie nicht begeistert. Als sich dieser versehentlich in Lebensgefahr begibt, kümmert sich Ann hingebungsvoll um den. Z for Zachariah – Das letzte Kapitel der Menschheit (Originaltitel: Z for Zachariah) ist ein US-amerikanisch-isländischer Science-Fiction-Film von Craig Zobel aus. scandem2014.se - Kaufen Sie Z for Zachariah - Das letzte Kapitel der Menschheit günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden. Z For Zachariah ein Film von Craig Zobel mit Margot Robbie, Chiwetel Ejiofor. Inhaltsangabe: Ann Burden (Margot Robbie) hat einen Nuklearkrieg überlebt, der. 4 Userkritiken zum Film Z For Zachariah von Craig Zobel mit Margot Robbie, Chiwetel Ejiofor, Chris Pine - scandem2014.se
Z For Zachariah ein Film von Craig Zobel mit Margot Robbie, Chiwetel Ejiofor. Inhaltsangabe: Ann Burden (Margot Robbie) hat einen Nuklearkrieg überlebt, der. scandem2014.se - Kaufen Sie Z for Zachariah - Das letzte Kapitel der Menschheit günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden. Im dystopischen Drama Z for Zachariah muss sich Margot Robbie nach dem Atomkrieg mit Chris Pine und Chiwetel Ejiofor arrangieren.
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Horror Thriller. Australian Psycho Edit Storyline In the wake of a disaster that wipes out most of civilization, two men and a young woman find themselves in an emotionally charged love triangle as the last known survivors.
Taglines: After the end of the world she thought she was alone. She was wrong. Edit Did You Know? In that film, Harry Belafonte plays a miner in Pennsylvania who makes his way to Manhattan.
Inger Stevens plays the comparable "Ann" role and Mel Ferrer plays the other man. Thus, the John and Caleb roles are somewhat reversed, but the racial, sexual and age difference factors are similarly very much in play.
Goofs When Ann leaves the bedside of John and you hear her praying to keep him around, her reflection passes by a glass of some type and an older gentleman comes into focus in this same reflected area just after her reflection goes by.
The "glass" is a picture frame and the "older gentleman" appears to be her father posing in front of the church, given the immediate scene cut to Ann playing the organ in the church.
Quotes Ann Burden : Hey get out of there, get out of the water. The water is contaminated! Was this review helpful to you?
Yes No Report this. Add the first question. Language: English. Runtime: 98 min. Color: Color. There are problems, too, though.
One is the studied nature of the performances. Some of Eijofor's choices feel overly deliberate here, for the first time I can remember.
Robbie fares worse. There's nothing outwardly "wrong" about Robbie's work here, but it lacks grit and spontaneity.
Pine fares best of the three leads, although to be fair he's playing the closest thing to an action hero, somebody defined mainly by his presence in a scene, the way he moves and reacts.
He's great at that. Worse, "Z for Zachariah" is ultimately too dramatically slight and brief for its ambitions, despite its sometimes labored myth-making script and visuals.
And it's ultimately unwilling to truly commit to the idea of life after the end of the world as we know it. Ann's house looks too clean, too nice, too fussed-over, almost like a vacation home that a movie producer might stay in while convincing himself he was getting back in touch with the natural world.
Caleb's been sleeping in the woods for weeks when we first meet him, but when he takes off his baseball cap, he's got a fashionable brush cut that looks like it might've been administered at a Beverly Hills salon.
Zachariah's hair and beard are just as well-tended, and the signature light tan jacket that he wears in outdoor scenes is immaculately clean, and so crisp that it seems to have been ironed right before the cameras rolled.
There's a shot late in the film, after Ann has been put through the emotional wringer, that's just so wrong in its visual particulars she's resting her head on a tabletop that's obviously just been cleaned within an inch of its life, and wearing a fuzzy cable-knit sweater that might have come out of a gift box that you roll your eyes when you should be weeping for everything that's been lost.
Rated PG a scene of sexuality, partial nudity, and brief strong language. Margot Robbie as Ann Burden. The film's plot also resembles that of the film The World, the Flesh and the Devil.
It received generally positive reviews from critics who mostly praised Robbie's performance. Nuclear-apocalypse survivor Ann Burden lives out an agrarian life on her family's valley farmstead, sheltered from radioactive contaminants by rocky hillsides, favorable weather patterns, and an abundant ground-fed water supply.
One day Ann encounters fellow survivor John Loomis, a highly skilled engineer, who, aided by medicines and a radiation suit, has traveled from a distant military bunker to the safe confines of Burden's valley.
Loomis bathes in contaminated water, and immediately sickens, but is nursed back to health by Ann, who welcomes him into her farmhouse.
Loomis regains his strength and gradually becomes part of Ann's humble rustic life. He helps Ann to pump diesel from local petroleum pumps and gets the farm's long-disused tractor running, hoping to stockpile food for the winter.
Ann tells Loomis about her parents and younger brother who left the valley to find other survivors but never returned. Loomis speculates that hydroelectric power might be generated from the nearby waterfall, using a water-wheel fashioned from the Burden church's planks and beams.
Ann is uncomfortable with this proposal, citing her father's past involvement as preacher and her own deeply-held Christian beliefs.
Loomis chooses not to pursue the project further. Ann and Loomis grow closer, cultivating crops and preparing for long-term habitation.
Their domestic accord is marred by occasional tensions, notably involving matters of religion and Loomis' drinking.
The two come to the verge of initiating a sexual relationship, but Loomis demurs, stating that further intimacy will change things between them, and that more time is needed.
Mysterious phenomena including stolen food supplies and a half-glimpsed shadowy figure culminate in the arrival of a third survivor, Caleb.
Though Ann welcomes Caleb into the farmhouse, friction develops between Caleb and Loomis. Loomis questions Caleb's backstory and motives; Caleb repeatedly emphasizes the religious connection he shares with Ann in stark contrast to Loomis , and half-jokingly suggests a wager for the farm-girl's affections while the two men go out turkey hunting.
The three survivors slowly settle into a marginally-stable partnership. Both men relate post-apocalyptic horrors they witnessed before reaching the valley; Loomis describes a radiation-sickened youth who begged him for death; later, he privately confides to Ann his belief that the dying boy may have been her long-absent brother.
Caleb pressures Ann to go forward with the water-wheel project, and work commences on tearing down the church for materials. Perceiving their mutual attraction, Loomis awkwardly gives Ann consent to pursue a romantic relationship with Caleb, but belies his grief and anger in losing Ann through a racially tinged remark.
Shortly thereafter, following a celebratory dinner, a heavily-intoxicated Loomis tells Ann he loves her before passing out in his bed.Ihr innerstaatliches Abkommen wird durch gelegentliche Spannungen beeinträchtigt, insbesondere in Bezug auf religiöse Fragen und das Trinken von Loomis. Er hilft Ann, Diesel aus lokalen Continue reading zu pumpen, und bringt den lange stillgelegten Traktor der Farm zum Laufen, in der Hoffnung, Lebensmittel für den Winter aufzubewahren. Und schon bald bahnt sich eine gefährliche Dreiecksbeziehung an. Das Read more an Konventionen fällt zum Glück recht mild ins Auge. Chris Micaela. Die beiden Männer beenden link Wasserrad und bewegen es und seine Holzrinne auf dem Wasserfall. Fragen zur Hoffnung. Die Hüter des Go here. Tatsächlich handelt es sich bei dem von Craig Zobel Compliance inszenierten Film allerdings um ein melancholisches, prominent besetztes Drei-Personen-Drama vor einer postapokalyptischen Szenerie.