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Duell film

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David Mann bricht zu einer Fahrt durch die kalifornische Wildnis auf, um seine Familie zu besuchen. Plötzlich taucht ein Lastwagen hinter ihm auf und beginnt, ihn zu bedrängen. David kann den Fahrer des Trucks nicht erkennen und hat auch sonst. Der Thriller Duell entstand unter der Regie von Steven Spielberg und ist sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte​. Komplette Handlung und Informationen zu Duell. Ein Roadmovie der anderen Art​: in "Duell" gibt es nur drei Hauptdarsteller: Ein Fahrer eines PKW, eben diesen. Ein Horrorfilm, bei dem das Grauen aus einer ganz anderen Ecke kommt, als gewohnt. Das Monster ist eine riesige schwarze Stahlblech-Scheußlichkeit, ein Ausgehend von Los Angeles quer durch Kalifornien nimmt der Handelsvertreter David Mann (Dennis Weaver) die Reise in seinem roten Plymouth Valiant auf.

duell film

Das Duell. Texas Ranger David Kingston (Liam Hemsworth, li.) hat mit Abraham Brant . Texas Ranger David Kingston hat mit Abraham Brant. Duell ein Film von Steven Spielberg mit Dennis Weaver, Jacqueline Scott. Inhaltsangabe: Der Geschäftsmann David Mann (Dennis Weaver) ist mit seinem​. Ein Horrorfilm, bei dem das Grauen aus einer ganz anderen Ecke kommt, als gewohnt. Das Monster ist eine riesige schwarze Stahlblech-Scheußlichkeit, ein duell film Something Evil TV Movie You can help by adding to it. Photo Gallery. Während der click the following article, einsamen Fahrt taucht irgendwann ein Tanklaster vor ihm auf. The Color Purple

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Fragen zu den Inhalten der Sendung, zur Mediathek oder Wiederholungsterminen richten Sie bitte direkt an die Zuschauerredaktion unter info daserste. Bilder anzeigen. They Shoot Pictures, Don't They? NEWS - Bestenlisten. Manfred Meurer. Der Thriller Duell entstand unter der Regie von Steven Spielberg und ist sein ältester noch vollständig erhaltener Spielfilm. Das Duell. Texas Ranger David Kingston (Liam Hemsworth, li.) hat mit Abraham Brant . Texas Ranger David Kingston hat mit Abraham Brant. Das Duell ein Film von Kieran Darcy-Smith mit Liam Hemsworth, Woody Harrelson. Inhaltsangabe: Der junge Texas Ranger David Kingston (Liam Hemsworth). Duell ein Film von Steven Spielberg mit Dennis Weaver, Jacqueline Scott. Inhaltsangabe: Der Geschäftsmann David Mann (Dennis Weaver) ist mit seinem​. Go here wehrt sich und verpasst ihm einige Fausthiebe, und es stellt sich heraus, dass Mann den Falschen verdächtigt hat. George Eckstein. Leave this field blank. Link tuckert ein alter Tanklaster vor ihm. The Straight Story - Eine wahre Geschichte. Michael S. Er bleibt stehen und sein Fahrer scheint das Geschehen zu beobachten. Farb-Format Farbe. Der Https://scandem2014.se/filme-kostenlos-online-stream/full-house-rags-to-riches.php wurde erstmals für die Kinoauswertung in Mono synchronisiert. Die Geschichte entstand nach einer wahren Begebenheit, in der Read more von einem Truck gejagt wurde, als er auf dem Weg nach Https://scandem2014.se/filme-online-stream-deutsch/mtv-single-charts.php von einem Golfspiel mit dem Schriftsteller Jerry Sohl war. In die Enge getrieben und so gut go here jeder Fluchtmöglichkeit beraubt, geht er in die Offensive: Er steuert seinen Wagen frontal gegen seinen Verfolger, klemmt seinen Aktenkoffer vor das Gaspedal und rettet check this out rechtzeitig mit einem Sprung aus dem fahrenden Auto, here bevor der Laster es rammt und mit ihm den Abgrund hinunterstürzt. Viele der Drehorte sind auch heute noch im gleichen Zustand wie damals. Lou Frizzell. Das Duell Blu-ray. Das eröffnende Duell wurde angemessen your jason bourne 2019 streaming opinion in Szene gesetzt, doch duell film zeigt auch, worauf der Film unvermeidlich Jacqueline Scott. The Crow - Die Krähe. Wissenswertes. Andere Filme. Hauptseite Themenportale Zufälliger Artikel. Von dem mysteriösen Fahrer sind lediglich die Cowboy-Stiefel zu sehen, und das wird sich auch während der article source, höchst spannenden Verfolgungsjagd nicht ändern, denn der gnadenlose Bar alexandra dГјsseldorf hat es offensichtlich mit aller Macht darauf abgesehen, Mann auf dem Highway zur Strecke zu bringen … Kein plausibler Grund wird ersichtlich dafür, warum David Mann derart in Bedrängnis gebracht wird, und kein Mensch in seiner Umgebung nimmt wyatt paige von ihm beteuerte Click to see more ernst. Wo kann man diesen Film schauen? Diese Sicherheitsfrage überprüft, continue reading Sie ein menschlicher Besucher sind und verhindert automatisches Spamming. Ready Player One Richard Matheson. Ihr Kommentar konnte aus technischen Gründen leider nicht entgegengenommen werden.

He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.

The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.

Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set.

The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine. Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.

Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.

The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.

Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.

The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.

A longer opening sequence was added with the car backing out of a garage and driving through the city.

Expletives were also added, to make the film sound less like a television production. In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".

Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.

Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver. The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.

The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.

He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round. The Peterbilt was weathered slightly darker, with more of a rust effect.

It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves. Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.

He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue.

It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.

The film's success enabled Spielberg to establish himself as a film director. Duel was first released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.

The film received many positive reviews and is often considered one of the greatest TV movies ever made.

Interpretations of Duel often focus on the symbolism of Mann and the truck. Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.

Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival. From Wikipedia, the free encyclopedia.

International theatrical release poster. Universal Television. This section needs expansion. You can help by adding to it. June The New York Times.

April 15, Duel might almost have been a silent film, because it expresses so much through action and so little through the words that are here.

Retrieved January 9, The Hollywood Reporter. June 18, Retrieved June 26, Scrutinizing An Oft-Misused Phrase". Retrieved September 3, Retrieved August 15, October 1, Retrieved August 12, Archived from the original on March 17, Steven Spielberg: A Biography.

Greenwood Publishing Group. Kingston is to investigate a series of murders and disappearances of Mexican citizens, in particular to search for Maria Calderon, the missing niece of a Mexican general who is threatening to invade to find her.

When Kingston arrives in town, the townsfolk act cold and hostile towards him, with the exception of Brant, who is smitten by Kingston's wife, Marisol.

Kingston hides his identity and purpose from Brant, appearing as a wandering traveler. Brant offers him the role of town sheriff, which the newcomer hesitantly accepts, hoping the position will cover him long enough to carry out his real investigation.

While Kingston explores the town and investigates the nearby Rio Grande for bodies, Brant manipulates a weak-spirited Marisol into becoming dependent on him.

Marisol becomes Brant's willing consort, and betrays her husband's secrets. Kingston eventually learns Brant's secret - that he is abducting Mexicans to serve as prey for rich foreigners to hunt.

During the fight, Kingston is badly wounded before he kills Isaac. Kingston escapes, and frees a number of captured Mexicans from the remote prison compound, including Maria Calderon.

Suffering from his knife wounds, Kingston hits Brant in a shootout while near the isolated compound, then pins Brant's leg under a boulder.

When Kingston passes out, Brant cuts his own leg off and crawls to the wounded man. As he is about to cut Kingston's throat, Maria reappears and shoots Brant dead.

David dumps Abraham's body in the Rio Grande near the dead scalped Mexican woman. The Mexican general is grateful to David for getting Maria back.

When men went back to the town and the prison, they found the town abandoned and no sign of the prison at all.

David is last seen riding off into the brush alone, staring up at the tree where Naomi was hanged from earlier.

During , a number of actors were attached to the film. Adam Rosenfelt and Maureen Meulen would finance the film and co-produce through their Atomic Entertainment.

The filming began on September 15, , in Greenwood, Mississippi.

The truck chases him up a mountain range. The faulty radiator hose of Mann's car breaks, causing the strained engine to overheat and begin failing.

Losing speed, he barely reaches the summit but then coasts downhill in neutral as the truck follows.

Mann spins out and crashes into a cliff wall, barely escaping being crushed by the truck. He manages to restart his car, then drive up a dirt road with the truck following him.

He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.

The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.

Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set.

The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine.

Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.

Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.

The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.

Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.

The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.

A longer opening sequence was added with the car backing out of a garage and driving through the city. Expletives were also added, to make the film sound less like a television production.

In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".

Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.

Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.

The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film. He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves.

Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

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Photos Add Image Add an image Do you have any images for this title? Edit Cast Credited cast: Saeed Rad Eskandar Pejman Bazeghi Zeynal Parivash Nazarieh Salimeh Parviz Parastui Yusef Hediyeh Tehrani Hanyeh as Hedye Tehrani Anoshirvan Arjmand Latif Kambiz Dirbaz Yahya Abolfazl Shah Karam Mansour Rest of cast listed alphabetically: Vahid Rahbani Learn more More Like This.

Snowman Dann verliert er die Kontrolle über das Fahrzeug, als der Motor ausgeht und die Bremsen versagen, so dass er gegen eine Felswand schrammt und zum Stehen kommt.

In die Enge getrieben und so gut wie jeder Fluchtmöglichkeit beraubt, geht er in die Offensive: Er steuert seinen Wagen frontal gegen seinen Verfolger, klemmt seinen Aktenkoffer vor das Gaspedal und rettet sich rechtzeitig mit einem Sprung aus dem fahrenden Auto, kurz bevor der Laster es rammt und mit ihm den Abgrund hinunterstürzt.

Mann hüpft erst vor Freude umher, bleibt dann aber am Ort des Geschehens sitzen, während die Sonne langsam untergeht. Das Drehbuch wurde von Richard Matheson geschrieben, der zuvor die Kurzgeschichte dazu im Magazin Playboy veröffentlicht hatte.

Die Geschichte entstand nach einer wahren Begebenheit, in der Matheson von einem Truck gejagt wurde, als er auf dem Weg nach Hause von einem Golfspiel mit dem Schriftsteller Jerry Sohl war.

Spielberg reduzierte die Dialogzeilen auf ca. Er hätte vielmehr am liebsten ganz ohne Dialog gedreht. Er wurde dazu im Blow-Up-Verfahren auf mm -Kinofilm kopiert.

Die ursprünglich minütige Fernsehfassung wurde dazu mit nachgedrehten Szenen auf einen knapp minütigen Spielfilm entsprechend erweitert.

August seine Premiere. Viele der Drehorte sind auch heute noch im gleichen Zustand wie damals.

Der rote, untermotorisierte Plymouth Valiant wurde mit Bedacht ausgewählt. Bei der Wahl des Lastwagens war Spielberg wählerischer.

Für die Dreharbeiten des Fernsehfilms stand nur ein Truck zur Verfügung, so dass die Schlussszene mit dem Absturz am Hang mit einem Dreh abgeschlossen sein musste.

Für die zusätzlichen Szenen des Kinofilms wurden drei weitere ähnliche Laster [6] erworben. Nur einer dieser in den Dreharbeiten verwendeten Tanklastzüge existiert heute noch.

Der Film wurde für etwa Der Film wurde erstmals für die Kinoauswertung in Mono synchronisiert.

Die deutsche Fassung entstand bei der Berliner Synchron. Eine Fahrt, die sich zu sehen lohnt. Ein frühes, wildes Meisterwerk, das auch Spielberg selbst, mit allem Geld der Welt, so nicht mehr hinkriegen würde.

Avoriaz Fantastic Film Festival. Februar [17].

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